James Watson - Keyboardist & Composer in the Florida Panhandle

JWM
JWM
  • Home
  • Bio
  • Media
    • Music
    • Video
    • Photos
  • Projects & Collaborations
  • Events
  • Contact
  • More
    • Home
    • Bio
    • Media
      • Music
      • Video
      • Photos
    • Projects & Collaborations
    • Events
    • Contact
Explore Music

  • Home
  • Bio
  • Media
    • Music
    • Video
    • Photos
  • Projects & Collaborations
  • Events
  • Contact
Explore Music

James Watson - Keyboardist & Composer

The Quick Take - Musical Foundations

I am a keyboardist and composer based in the Florida Panhandle, blending soulful expression with modern stage technology. Whether playing local venues or a larger stage, I am dedicated to crafting professional and memorable musical experiences.

My Story: From Midwest CCM to Florida Stages

I'm a native of Glendale Heights, Illinois, and my musical journey began when I was 14.


In 1977, my father had bought my mother a home entertainment keyboard for Christmas. One of those instruments with push-button selections for piano, strings, or organ, and that had very rudimentary white-noise "drums". She had wanted to mess around with it, but since she never learned to play, it eventually found its way into a closet, untouched.


In 1980, I was in 8th grade. A few friends and I decided it would be fun to "start a band." None of us knew how to play anything—as in, we didn’t know how to play a single instrument.  So, I declared, "My mom has a keyboard; I’ll play keyboards." Another friend said, "I want to play guitar," and the third added, "I'll play drums." That was it—ground zero for my musical journey.


Early Influences

For graduation, my parents bought me a Korg Poly 61. My first "real" keyboard. By that time, the first "band" had evaporated, but I kept playing. Having never had formal training, I developed my skills entirely by ear, spending hours mimicking the songs I heard on the radio—Night Ranger’s 'Sister Christian,' Journey’s 'Open Arms,' and so on. This self-taught foundation forced me to develop a keen ear and a signature style. I had just started high school.

In 1983, my sophomore year, the bass player from my "original band," Mike Subrt, and a new guitarist named Billy Corgan got together to jam. We formed a group that Billy named "LEX," entered the school talent show, and brought the house down. LEX dissolved that summer—1984. That same summer, Mike and a new drummer, Pete Sallis , reunited at Pete's church. That led to the launch of our next project, which we called "Savior." Here again, my parents supported my continued growth; purchasing me the Yamaha DX-7. During this time, our sound was heavily shaped by the influence of artists like Michael W. Smith, The Imperials, Petra, Russ Taff, and DeGarmo & Key. With that inspiration, Mike moved from bass to guitar, we found a new bassist, and we entered the talent show again. This time, we went up against Billy’s band and took first place.

Developing a Signature Style

It was an incredible experience that led to us playing regularly at our local church, and eventually, at other churches and related events. Pete and I even wrote a few songs—mostly cheesy, but it was a great experience.

Sadly, we went our separate ways after high school, moving worlds apart. Come on.... that's a great pun. Mike went on to become an engineer; the last I heard, he was playing guitar at a church in the Peoria, Illinois area. Pete pursued a degree in music business and moved to Nashville, where he still resides today. Our bassist, Daniel Shaw, went into IT, and I lost track of whether he continued playing. As for me, I married the girl I met when this all started back in 1984.

Rooted in the Midwest CCM scene as a self-taught musician, I developed my foundation through years of leading and participating in various musical teams while touring throughout the region. This journey helped me cultivate a signature style that is a deliberate balance of soulful expression and technical precision. From re-imagining traditional hymns for modern congregations in Northern Illinois to my current work in the Florida Panhandle, I remain dedicated to bridging the gap between authentic, raw performance and the cutting-edge technology of the modern stage.


I continued playing in church groups until 1992, when I enlisted in the Air Force and was stationed in Clovis, New Mexico. I met a few musicians there, but while we played a couple of events, it never really went anywhere. During that time, I worked a second job at a local music store, which kept me connected to the industry.


Fast forward to the 2000s: I played in various church groups, created contemporary arrangements for traditional songs, but my interest eventually waned. By 2014, after two battles with cancer, I stopped playing altogether. I simply didn't see a path forward for music in my life at that time.

That changed in 2021. My wife and I took a trip to Jamaica—a return visit, as we love the island. There was a grand piano sitting in one of the bars. My wife insisted, "You should play something." It had been nearly eight years since I’d touched an instrument, and I could barely remember anything other than "Don't Stop Believin'" and "Faithfully." Yet, I caught the attention of a few gathering for the night's entertainment. One lady started singing along, and that ignited the spark again.

A Return to the Keys

When we returned home, I sold my old Yamaha XS7 and bought a Roland EP-50—something practical that looked like a piece of furniture I could just sit down and play. Then, in 2022, my father passed away unexpectedly. I wrote a couple of songs [1, 2] as a way to process that loss, and I began looking for ways to play in a group setting once more.


I eventually sold the Roland and purchased a Nord Stage 4 88-key stage keyboard. I began marketing myself, played in a couple bands that were just starting up, and was eventually invited to audition for a regionally touring tribute band. I never envisioned anything like that happening, but what a ride it’s been: traveling through Louisiana, Mississippi, Alabama, Georgia, and Florida, playing everything from casinos and theaters to outdoor festivals.

So, what’s next? Who knows. But there will be something, and it will surely be exciting.

  • Home
  • Bio
  • Music
  • Video
  • Projects & Collaborations
  • Contact

Jim Watson Music

Freeport, FL

Copyright © 2026 Jim Watson Music - All Rights Reserved.

This website uses cookies.

We use cookies to analyze website traffic and optimize your website experience. By accepting our use of cookies, your data will be aggregated with all other user data.

Accept